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Showing posts with label For Newbiez. Show all posts
Showing posts with label For Newbiez. Show all posts

Sunday, March 9, 2008

What Sort of Strings Should I Buy?

Everyone has an opinion on which strings are best, but let's put aside the discussion of guitar string manufacturers for a moment, and discuss the type of strings needed for your guitar. If you own an acoustic guitar, you need "acoustic guitar strings". If you own a classical guitar, you need "classical guitar strings" or "nylon strings". An electric guitar needs "electric guitar strings". And a bass guitar needs... wait for it... "bass guitar strings".

You also need to consider the gauge (thickness) of strings you'd like. This is where personal preference comes into play, but for beginners, I recommend starting with "medium" gauge strings, and varying from that as you develop a personal preference. An oversimplified rule of thumb is thicker strings provide better tone, but are harder to play.

How Often Should I Change My Strings?

Take a look at the strings of your acoustic guitar. What sort of shape are they in? Are they discolored? Rusty? Are all six strings present and accounted for? If you answered no to any of these questions, or if it's been several months since you put new strings on your guitar, it's time for a string change. New strings make your guitar sound brighter, and generally make it easier to play.

Just like brake pads on a car, guitar strings wear out with use. Old guitar strings often behave badly - they'll lose tuning more quickly, sound less "bright", and give you problems with intonation. Old guitar strings also break, often during the most inopportune moment. Be sure to head into any live playing situation with new strings on your guitar, and several more sets of strings packed in your case, should you break a string during performance.

It's probably not necessary for beginners to be quite as diligent with keeping new strings on their guitar, but changing strings a minimum of every couple months is a very good idea.

RohiT \m/

Wednesday, February 27, 2008

Changing between Chords

Open chords are typically the first chords that most newbies learn. This is because they are typically easier to play than other chords. Once you learn these chords you will be able to pick up several music books and learn your favorite songs. They are called open chords because one or more strings are played in an 'open' fashion, which means that there are no frets pressed on those strings and they are allowed to ring out.

The pictures directing the chord shapes are shown below. They are pretty self explanatory. This kind of chord might actually help you a lot to grab the basic/easy chords. Grabbing the basic n easy chords is very important just like the foundation of a building.

To start with the left part of each figure which shows the fret board. The numbers on the frets go for ur fingers which u use to nail on them. Pretty simple!!!




The next part on top left of each picture shows the how u can go about holding the chord if ur not comfortable enough to hold em using the the previous fig.


The next section of the fig is the bottom left part. This is a traditional tab notation for chord. To know more about chords u can check out tabs section in this blog.


It is important that you learn all of the open chords and learn to switch between them with ease and speed. U shud practise hard these chords to help strengthen your fingers and hands and also help you switch faster between chords. They will also help build up calluses on your finger tips.
These exercises are repitious, painful, boring... generally not a positive experience but the outcome will be positive because as a result of doing them you will be able to play longer and faster.

Here is what you need to do.
Start by playing your easiest chord, say for example G major. Strum it for a minute straight without stopping. Next, switch to a D major chord. Strum it for a minute straight without stopping. You are building up endurance, strength and calluses. You are also teaching your fingers how to place themselves on the fretboard. Switch between all of the chords that you know so far. Go without stopping between chords. Just keep playing until your hand and fingers can't take it anymore. Yes, you also need to play the dreaded F major chord. Play that one a long time.

Take a rest after you have gone through all of the chords.
Next work on speed of changing chords. Start with G major, play a couple of strums, then switch to D major, play 2 strums, then switch to F major, etc. Again, keep doing this through all of the chords that you know. Do it until you can't do it anymore. Tedious? Yes. Painful? Yes. Worth it? Yes. You will see a marked improvement if you concentrate and do these exercises dilligently.


I am including some chords that can help you catch up in the beginning.
Keep Jamming

N
Leave your comments if you like the post.
Thanx...

RohiT\m/

Saturday, February 9, 2008

Hammer Ons and Pull Offs

First you shuould have a look on this video, then it will be easy to grasp the concept of hammer ons and pull offs. Read on...

These two things refer to techniques employed by the left hand to sound notes without the direct aid of the right hand. A 'hammer on' is when a note is sounded, and while it is still ringing, a left hand finger is used to quickly press down a fret that is on the same string, and close to the original fret. This will result in the sounding of the second note, even though the right hand did nothing but sound the first note. The vibrations that occurred from the sounding of the first note will be carried on to sound the second note. Here's an example. We can place our index finger on the 3rd string, 5th fret, and sound that note. While the note is still sounding, and without moving our index finger, we can use our ring finger to come firmly and directly down on the 7th fret of the 3rd string. This note will then sound, probably not as loud as the first note, but it will still sound. This is a hammer on.
A 'pull off' is basically the same thing, but backwards. We can use a finger to fret a note, and then sound that note. While the note is still sounding, a finger can be placed directly behind the first finger, and then the first finger can be 'pulled off'. In doing this, it is in effect the same as plucking the string with a finger, it creates vibrations. And now the note that is being fretted directly behind the first finger will be sounded. For example, we could place our index finger on the 5th fret, 3rd string AND place our ring finger on the 7th fret, 3rd string. We can play the note on the 7th fret, and then 'pull' that finger off the string, which at the same time, will sound the note on the 5th fret. This is a pull off.
The main difference between hammer ons and pull offs is that pull offs generate vibrations, while hammer ons generally don't. In other words, in performing a pull off, it would be possible to make the second note louder than the first. In a hammer on, we wouldn't be able to do this, because the sound will have died away slightly when we hammer on. Hammer ons and pull offs have a number of uses. They can be used to make a passage sound smoother. Sometimes we don't want to pick every note, because the pick gives a different tone than hammer on or a pull off will.
They can be used to make a passage easier to play. This is true for two reasons. The first is that we can usually do a hammer on or a pull off faster than we can pick two notes in succession. The second reason is that while we are hammering on or pulling off, with two or our left hand fingers, we can use our other two left hand fingers and our pick to do something else at the same time.
They can be used to perform 'trills'. A trill is the rapid succession of two notes. For example, if we placed our index finger on the 12 fret, 3rd string, and then sounded it, we'd get only one sound. But if we continuously hammered on to the 13 fret using our middle finger, and then immediately pulled off back to the 12 fret, we will get a continuous stream of notes, without even using the pick except for the first note. It is because pull offs generate vibrations that we are able to do this. Trills are a good way of ornamenting notes.
Like we said, we can perform trills. If we can perform trills with two notes, why can't we use hammer ons and pull offs between more than two notes? We can. With a lot of practice, we can learn to use hammer ons and pull offs with speed and accuracy, and with this skill, you can learn to play very fast. It's easier to hammer on and pull off to a note than it is to pick every note just as fast. We'll look at some of these uses of hammer ons and pull offs in further lessons. Things to remember from this lesson:
1. Hammer ons and pull offs are a means of using the left hand to sound notes with out using the right hand to sound them.
2. A pull off can generate vibrations(sound), but a hammer on will only carry on the left over vibrations from a previous note.
3. Uses of hammer ons and pull offs include smoother passages, easier passages and trills. Also, with a lot of experience using hammer ons and pull offs, one can use them to play very fast.


RohiT \m/

Friday, December 14, 2007

Guide to Guitar Tab Notation




This post will guide you through reading and writing a guitar tab properly. After reading this post try to write and play your own tabs as a practice exercise...Enjoi...

TAB is simple to read, and should be simple to write if you want to submit a song you have worked out yourself. The idea is this: you start out with 6 lines (or four for bass). These correspond to the strings of the instrument. The top line is the highest pitch string, and the bottom line is the lowest pitch string. Below is a blank bit of TAB with the string names at the left.
E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------


Numbers are written on the lines to show you where to fret the string with the left hand. If a zero appears, this means play the open string. Like standard musical notation, you read from left to right to find out what order to play the notes. The following piece of TAB would mean play the sequence of notes (E F F# G G# A) on the bottom E string by moving up a fret at a time, starting with the open string.

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E---0--1--2--3--4--5---------------------------------------------


OK so far? Here we have notes being played one at a time. If two or more notes are to be played together, they are written on top of one another, again just like standard notation. In the next example we have a G bar chord.

E----3------------------------------------------------------------
B----3------------------------------------------------------------
G----4------------------------------------------------------------
D----5------------------------------------------------------------
A----5------------------------------------------------------------
E----3------------------------------------------------------------


So this means play all these notes together as a chord. You might see the same chord written like this:

E--------3--------------------------------------------------------
B-------3---------------------------------------------------------
G------4----------------------------------------------------------
D-----5-----------------------------------------------------------
A----5------------------------------------------------------------
E---3-------------------------------------------------------------


Which would mean strum the same shape starting at the bottom string, so that each string is hit slightly later than the last string, but all notes will ring together. Below is am example of the same shape again, but now the gaps between the notes are bigger - so you would probably pick the strings separately instead of slowly strumming the shape.

E------------------3----------------------------------------------
B---------------3-----3-------------------------------------------
G------------4-----------4----------------------------------------
D---------5-----------------5-------------------------------------
A------5-----------------------5----------------------------------
E---3-----------------------------3-------------------------------


You might ask: "How do I know how fast or slow to play this? Are all the notes supposed to be the same length?"

This is where TAB differs from standard notation. Most often TAB will not give you any information on the note lengths. It is usually left up to you to listen to the song to pick up the rhythm. However don't despair. TAB should give you some indications of timing. In the example above all the notes are evenly spaced so you can reasonably assume that the notes are the same length (maybe all eighth notes or quavers) but this may not always be true - it depends on who wrote the TAB.

As a general rule, the spacing of the notes on the TAB should tell you which notes are the long ones, and which are the short and fast ones, but obviously it won't tell you if a note is a triplet or anything like that. Again, this will depend strongly on the person who wrote the TAB. As an example, here are the first few notes of the American National Anthem in TAB. You should see fairly clearly that the different spacing corresponds to the different note lengths.

E-----------------------0--------4--2-0--------------------------
B---0--------------0---------------------------------0-----------
G------1------1----------------------------1----3----------------
D--------2-------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------


Obviously it will be a lot easier to play the TAB for a song you know well than for a song you've never heard of because you will already be familiar with the ryhthms of the familiar song.

2.1 Other Symbols Used In Tab
So far I've looked at what notes to play: which string to hit, and where to fret it. I've mentioned how to get an idea of note lengths by looking at the spaces between notes on the TAB, but this can only be a rough guide. You will always have to check with the original track to work out details of the rhythm. A lot of other imprtant information can be included in a piece of TAB. This includes hammer-ons, pull offs, slides, bends, vibrato and so on. The standard practice is to write extra letters or symbols between notes to indicate how to play them. Here are the letters/symbols most often used:

h - hammer on 
p - pull off 
b - bend string up
r - release bend
/ - slide up
\ - slide down
v - vibrato (sometimes written as ~)
t - right hand tap
x - play 'note' with heavy damping


That last one, the x, is used to get a choppy, percussive sound. You usually use your fretting hand to lightly damp the strings so that when you pick the note it sounds dead. Note that the use of 'x' is totally different from the use of an 'x' when giving chord shapes. For example if you wrote the chord of D, you would see:

EADGBE
xx0232


where the 'x's mean do not play this string. In tab it is implicitly assumed that a string is not played if it is not marked. So the same chord in TAB would be:

E-----2---------------------------------------------------------
B-----3---------------------------------------------------------
G-----2---------------------------------------------------------
D-----0---------------------------------------------------------
A---------------------------------------------------------------
E---------------------------------------------------------------


with no 'x'. The x is is only used in TAB to represent a heavily muted string which is picked/strummed to give a percussive sound.

There are a number of other symbols for things like whammy bar bends, pick scrapes and so on. There seems to be no particular standard way of writing these - details should be given in the TAB to explain what the symbols mean. Bass TAB will probably need a few extra symbols to cope with the different techniques used in bass playing - for example slapping and 'popping' the string with thumb or middle finger. You could use 's' for slap and 'p' for pop as long as you wrote them underneath the lines of tab to distinguish them from slide and pull off which would be written on the lines of tab.

RohiT\m/

What is TAB


Most newcomers start from scratch. Tab is where many newbies should start with. As a newbie you should also be familiar with basic guitar knowledge and theory. Posts for the same will soon be on this blog....Enjoi...

What Is Tab???
TAB or tablature is a method of writing down music played on guitar or bass. Instead of using symbols like in standard musical notation, it uses ordinary ASCII characters and numbers, making it ideal for places like the internet where anybody with any computer can link up, copy a TAB file, and read it.


What Tab Will Tells You???


TAB will tell you what notes to play - it will tell you which string to hit and which fret to fret it at.

TAB will tell you where hammer-ons, pull-offs, bends, slides, harmonics and vibrato are used.

TAB will tell you what tuning the piece is in. If this isn't given explicitly, assume normal tuning. TAB should also give you information on use of capos etc.

TAB will give you an indication of the ryhthm of the piece - I. e it will tell you which are the long notes and which are the short notes. However it will not tell you exactly how long or how short they are. This leads me on to.


What Tab Will Not Tell You???

TAB will (usually) not tell you the note lengths of the notes - so in most cases you will have to listen to the song yourself, with the TAB in front of you to work out the ryhthm of the notes.

TAB will not tell you which fingers you use to fret which note.
TAB will (usually) not tell you anything about picking and strumming - you will have to decide for yourself where to use upstrokes/downstrokes and so on.

Rohit\m/

Wednesday, December 12, 2007

How to read Guitar Tab or Guitar Tablature...


The most useful guitar skill is to tab. Tab appears like this:





e------------------------------------------------
B------------------------------------------------
G------------------------------------------------
D------------------------------------------------
A------------------------------------------------
E------------------------------------------------




The letters up there mean the strings(highest to lowest-e is the
highest and E is the lowest). This is an example of a song:




e-----------------------------------------------
B-----------------------------------------------
G-----------------------------------------------
D-----------------------------------------------
A---7-7-10-7-5-3-2------------------------------
E-----------------------------------------------




Knowing that E is the lowest and A is on top of it, it would mean that
A is the second lowest.




e highest
B second highest
G third highest
D third lowest
A second lowest
E lowest




The numbers on A are " 7-7-10-7-5-3-2". Count on the fretboard till
fret seven.


Hit
#7. There is another 7 so hit it. What ever the number is, hit it on
the fretboard(on the correct string). There you go folks!

Still more to come...
Enjoi...
RohiT \m/

Tuesday, December 11, 2007

Some useful Guitar sites













Here are some sites that can help newbies with lessons...Tips and
tricks...Guitar tabs...Guitar sales...And many more...I have been using these sites since i started playin...


http://www.ultimate-guitar.com ---Best for GuitarTabs

http://www.harmony-central.com ---Best to explore

http://www.GuitarPrinciples.com ---Best for lessons, tips and tricks
http://www.Jamorama.com ---Best for newbie guitar lessons

U can always ask me personally for any assistance related to guitars... Ill soon post some useful links for guitar lessons and useful instructions... Till then Keep Jamming \m/ RohiT